The book's sub-title, the death and life of authentic urban places, provides a not so subtle connection to the famous Jane Jacobs tome of the 1960s entitled The Death and Life of Great American Cities. Jacobs' book is rightfully revered to this day for the way it captures how cities function best and the destructive nature of modernist urban planning. Zukin therefore sets herself an ambitious goal for Naked City to be thought of alongside Jacobs.
Early on in the book, Zukin revisits Jacobs' book and identifies how it fails to capture the social production of urban spaces. She believes that Jacobs, as a journalist by trade, is excellent at describing the patterns and rhythms of the city, but is less good at understanding how people use money and culture to shape neighbourhoods and cities. This is the main strength of Zukin's work and stems from her background as a Professor of Sociology. She is able to explain the physical patterns of cities through the lens of cultural trends, the role of the media and the impact of consumption.
I find Zukin's use of the term authenticity an apt one to describe the onward march of gentrification in western cities. Whether it be Hoxton in London or Brooklyn in New York there is a strong urge among city dwellers to be in authentic urban environments. The problem is the term authentic is highly subjective and can mean different things to different people. In this context though it means boutique shops, farmers markets and red-brick town houses. We all know the neighbourhoods that Zukin means, some of us probably live in them. The interesting question that Zukin poses is, how did these neighbourhoods go from being edgy and gritty to suddenly trendy and chic?
She describes in excellent detail how the spaces of Harlem, Brooklyn and Union Square have evolved from sites of dereliction to sites of mass cultural consumption. Here she identifies the key tension. How can a neighbourhood that achieved 'authenticity' through small shops and cheap artist studios retain this character when the prices rise and there is an influx of BoBo's and chain stores? This is a tension that is being experienced across all major cities and it raises questions of how long authenticity can survive for. My favourite part of the book is Zukin's dissection of the trend towards the 'sameness of consumer culture'. Every city now wants a Guggenheim Museum or a Design Festival and can be explained by the travelling ideas of city branding. This is a major concern and could seriously impact the principle of authenticity which it originally sort to celebrate.
The book also digests what authenticity is and how the authenticity of urban space is not just shaped by the physical fabric of buildings but by the people too. Although the lengthy descriptions of farmers markets and latin american food stalls gets a little tiresome, it points to a wider trend and how food (restaurants, cafes, bistros, markets etc.) is a key tool in gentrification and the creation of authenticity. Zukin makes the point that authenticity arises not just because of the built form but also because of the way in which the media present and re-present spaces. The lifestyle magazines in weekend newspapers are rich fodder for defining what is hip and what is not. This goes as much for neighbourhoods and cities as it does for shoes and handbags. Therefore authenticity is also a media creation that directs investment into certain parts of the city.
My only major criticism would be the short shrift given to Government intervention and the role of state planning in trying to avoid the tensions described above. Zukin only touches on this in the last two pages and, speaking selfishly as a planner, I would have hoped this subject could have formed a more substantial part of the text. What are the specific policies and plans that need to put into place to avoid the homogenization of cities and the destruction of authentic environments? She talks about the change in rhetoric needed within planning and the development industry and I tend to agree. Communities and the wider public know the issues involved but feel detached from the planning process and how themes of authenticity, character and distinctiveness can be articulated by the Government. Despite this weakness, overall it is an excellent read, both for its descriptions of New York but also for the elevation of the concept of authenticity into public policy and urban planning.
The Musing Urbanist score: 8/10